Yes, that I hope is the end goal for what Adobe plans to incorporate in Premiere. I am personally not seeing that Magenta totally go away with the chroma/video limiter temporary workaround. Helps a lot, but highlights are still tinted pink.Also, it is one more element I am adding into the mix during edits of pushing my Computer when it is already having to deal with 4K RAW files in realtime. At this point I would just be happy if Premier could resolve the Magenta and acknowledge ACR adjustments made from Adobe Bridge.
↧